Short film about Sophie Calle
Creating the soundscape for the film about Sophie Calles exhibition "Les Fantômes d'Orsay" I used, among others, the voices of my mother (French is her first language) and of our cat Vos. I made sound recordings in our family chalet in Switzerland and in the remaining parts of the Hotel d'Orsay in Paris.
Below is a text I wrote at the request of Musée d'Orsay about my intentions and the creative process of making this film.
Animation was made in collaboration with Zoltan Korai.
(Watching the film is recommend with headphones)
“My intention for this film was to travel back in time to the abandoned Grand Hotel d’Orsay in 1978, when Sophie Calle photographed and collected its remains.
I wanted to recreate “Les Fantômes d’Orsay” by composing a soundscape of imaginary echoes of the people, objects and spaces that were once there and passing through.
By means to stay close to Sophie’s genuine material, the audio fragments were all recorded by myself in April 2022. Backstage in the museum I captured the acoustics of the remaining parts of the hotel d’Orsay that are still there: the hall, staircase and ballroom. But also the sound of the elevator that now occupies the spot that once was room 501.
Additionally, I used recordings I made earlier this year of our old family house, from the same era, that has similar creaking wooden floors and squeaking doorknobs. The originality of the audio adds to our experience of space and time, and emphasizes the mysteries of how we make and recreate our memories.
A personal narrative was mixed in by using the voice of my 85-year-old mother’s voice, who lived in Paris during the 1960, just around the corner of the museum d’Orsay. Coincidence? I don’t think it exists in narratives we make of our lives, in the stories we tell.
I was introduced to Sophie Calle’s work when I was in Art School, at the Gerrit Rietveld Academy in Amsterdam, in 1997. I was immediately intrigued by her work and she stayed with me, in the background, when I was coming of age as an artist. Only to find myself 25 years later making this film about her work. J’ai renoué, I have reconnected.”
Sonja van Hamel, June 2022
Sick of Goodbyes, Vol. 1
Reflection of a girl on the grooves of a record
Snippet from video work “Sick of Goodbyes Vol.1” (1996)
My grandmother in her thirties coming alive in a sequence of passport photos
Video work “Mormor” (1999)